Naomi Klein

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This
Changes
Everything
Capitalism Vs. The Climate
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  • * Now in Paperback
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  • * The release of This Changes Everything the film is approaching!
  • * New York Times non-fiction bestseller
  • * Winner of the Hilary Weston Writers’ Trust Prize for Nonfiction

Recent Articles

Michael Moore: America's Teacher

Published in The Nation.

On September 17, in the midst of the publicity blitz for his cinematic takedown of the capitalist order, Moore talked with Nation columnist Naomi Klein by phone about the film, the roots of our economic crisis and the promise and peril of the present political moment. To listen to a podcast of the full conversation, click here. Following is an edited transcript of their conversation.--The Nation Editors

Naomi Klein: So, the film is wonderful. Congratulations. It is, as many people have already heard, an unapologetic call for a revolt against capitalist madness. But the week it premiered, a very different kind of revolt was in the news: the so-called tea parties, seemingly a passionate defense of capitalism and against social programs.

Meanwhile, we are not seeing too many signs of the hordes storming Wall Street. Personally, I'm hoping that your film is going to be the wake-up call and the catalyst for all of that changing. But I'm just wondering how you're coping with this odd turn of events, these revolts for capitalism led by Glenn Beck.

Michael Moore: I don't know if they're so much revolts in favor of capitalism as they are being fueled by a couple of different agendas, one being the fact that a number of Americans still haven't come to grips with the fact that there's an African-American who is their leader. And I don't think they like that.

Obama's Big Silence: The Race Question

Published in The Guardian

Americans began the summer still celebrating the dawn of a "post-racial" era. They are ending it under no such illusion. The summer of 2009 was all about race, beginning with Republican claims that Sonia Sotomayor, Barack Obama's nominee to the US Supreme Court, was "racist" against whites. Then, just as that scandal was dying down, up popped "the Gates controversy", the furore over the president's response to the arrest of African American academic Henry Louis Gates Jr in his own home. Obama's remark that the police had acted "stupidly" was evidence, according to massively popular Fox News host Glenn Beck, that the president "has a deep-seated hatred for white people".

The Tel Aviv Party Stops Here

Published in The Nation

When I heard the Toronto International Film Festival (TIFF) was holding a celebratory "spotlight" on Tel Aviv, I felt ashamed of Toronto, the city where I live. I thought immediately of Mona Al Shawa, a Palestinian women's rights activist I met on a recent trip to Gaza. "We had more hope during the attacks," she told me. "At least then we believed things would change."

Al Shawa explained that while Israeli bombs rained down last December and January, Gazans were glued to their TVs. What they saw, in addition to the carnage, was a world rising up in outrage: global protests, as many as 100,000 on the streets of London, a group of Jewish women in Toronto occupying the Israeli Consulate. "People called it war crimes," Al Shawa recalled. "We felt we were not alone in the world." If Gazans could just survive, it seemed that their suffering could be the catalyst for change.

The Toronto Declaration: No Celebration of Occupation

Originally published on http://torontodeclaration.blogspot.com

As members of the Canadian and international film, culture and media arts communities, we are deeply disturbed by the Toronto International Film Festival’s decision to host a celebratory spotlight on Tel Aviv. We protest that TIFF, whether intentionally or not, has become complicit in the Israeli propaganda machine.

Clarification on "Shock Doctrine" Documentary

I am getting many requests to respond to an article that appeared in the Independent reporting that I “disowned” The Shock Doctrine documentary that will air on More4 in the United Kingdom on Sept 1.

A few important points of clarification. I don’t have a credit on The Shock Doctrine documentary made by Michael Winterbottom and Mat Whitecross because it is not my film. I chose not to make the documentary myself because when I finished the book I had been utterly immersed in the material for five years and I believed the project would benefit from a fresh perspective. However, I did think the material in the book was so inherently visual and emotional that it had great potential for film. So I left the project in the hands of experienced directors whose films, such as “Road to Guantanamo,” I very much admired.

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